Scrapbook
The liminal space scrapbook includes family and vintage photos.
This is the view from my apartment at the National University of Singapore. I took this photo at sunset on the first day I arrived in Singapore. At this point, I was feeling a wave of various emotions.
I felt homesick, nervous, and unsure of my footing in a new country. There was a moment when I said to myself, “What did I just get myself into?” I wanted to communicate how the wave of doubt and
uncertainty developed into excitement for new opportunities. This marks a pivotal moment where I felt discomfort in a new environment. I am far away from home, but I am also closer
to “home” and learning more about my family.
This is a children's educational song that we sang in my Chinese 1 class. The lyrics translated are:
1 2 3 4 5 6 7.
Where is my friend?
Here, here.
My friend is here.
Even while feeling overwhelmed and out of place in a new environment, this song brings me comfort because it reminds me that my friends are here. This piece describes my journey to finding community and belonging
in a new country. Looking out my window, I am reminded of so many memories and experiences that shape different ways of looking at the same view. Each time I look out my window, I have a new vantage point.
My grandparents lived in Taipei and immigrated to the United States. Being in Taipei for the first time felt like I was connecting to a piece of myself and my ancestry.
As I looked around from the top of the memorial hall, I felt serene, and a wave of nostalgia for a place I've never been washed over me. “the memorial hall” is a
reflection of my emotions and observations as I stood there, taking in the view.
24H is based on the photo I took of a collection of LED street signs in Taichung. I wanted to write from the perspective of the light-up sign itself to compare how
it feels to be advertised with the disconnect I feel between how I perceive myself and how others do. This piece represents the confusion that this dissonance causes.
This piece explores how layers of vocals interact with one another, much like multiple identities, contrasting ideas, or several disciplines.
I remember hearing all sorts of sounds - wind, lanterns brushing against each other, wind chimes, and prayer. I wanted to use my voice to create
a layered environment, with different melodies coalescing to reflect the combination of sounds and emotions I experienced.
The idea of resonance interests me because it's based on how different sound waves interact and change one another. Being a multiracial person relates to this
because my identities interact with one another in a way that creates a whole new sound wave, not fractions of sound waves. This relates to how my identities
don't negate one another, but instead create a whole identity and a complete person.
Documentation of the physical exhibit at the UC San Diego Music Department's ICAM Senior Showcase. Photos taken by Kyle Wu and Kalea Porter.
The liminal space scrapbook includes family and vintage photos.
Uses a headphone splitter to prreview the 4 pieces.
Song description and QR code link to the song.
Song description and QR code link to the song.
Photo labels for different effects on each fader. This controls the main piece at the exhibit.
MIDI controller connected to the main video and piece titled "the liminal space".
Song description and QR code link to the song.
Song description and QR code link to the song.
MIDI controller connected to headphones for playback of each piece.
Brochures for the exhibit describing each piece and linking to the website. Made to look like passports to mirror the study abroad journey at the exhibit.